迷幻(🕕)少女遇著(zhe )過(🆓)氣公安老(lǎo )頭,未必是貓捉老鼠(shǔ )累鬥累(lèi ),也可(kě )以(🤢)是從(cóng )老前輩(bèi )身上學(🥈)會認識自(zì )(🍖)己。阿(🗼) P 為追阿初欠她的(🎲)債,偶然與阿初的(de )(🚤)外公(⚫)相遇,兩個生(🤷)活態(tài )度(dù )南(nán )轅(🕯)北轍的(💆)人,就是(shì )(🛹)這樣在荒謬的處境(jìng )中相互學習。阿(ā )P在當中看見(🥀)年(nián )青一代的無奈:(⏺)十六歲的迷途(tú )青春、愛情的無助、軟性毒品(pǐn )的(🎛)蠶食(shí )、面對(💻)父母失敗的婚姻、自己(🤸)渾(hún )噩的前途....阿(ā )初無故失(shī )蹤(🤷),又是否因抵受不(bú )(😍)了同(tóng )(👺)樣殘酷的(de )青春(🕐)?世情像(xiàng )玻璃,有(🌮)時看(🗳)得(🤘)透,有時不,相同(🍑)的只(🛎)是:(🚗)兩(liǎng )者同樣冰冷易碎。 (👪)The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth. Source 25th HKIFF (2001)