迷幻少(🍅)女(nǚ )遇著(zhe )(🔨)過氣公(✒)安老(🥇)頭,未(wèi )必是貓捉(zhuō )老(lǎo )鼠(shǔ )累(😘)鬥(🕟)累,也可以是從老前輩身上學(🥈)會(🐉)認識自己(jǐ )(🔬)。阿 P 為追阿初欠她(tā )的債,偶(ǒu )然與阿初的外公相遇,兩個生(🤷)活態(🛍)度(dù )南轅北(👁)轍的人,就是(shì )這樣在荒謬的處(chù )境中(zhōng )相互學(xué )習。阿(🙁)P在當中(zhōng )看見年(nián )青一代的無奈:十六歲的(de )迷(mí )途青春(🌚)、愛情(🛑)的(de )無(wú )(😞)助、軟性(💱)毒品(pǐn )(🌑)的蠶食(㊗)、(🥎)面對父母失敗的婚姻、自己(🤸)渾噩的前途....阿(ā )初無(wú )(🍄)故失蹤,又是否因抵受不了(le )同(tóng )樣殘酷的青(🥕)春?世(shì )情像玻璃,有時看(kàn )得透,有時(💹)不,相(🥊)同的只是:(🚗)兩者(🦇)同(😊)樣冰冷(lěng )易碎(🌹)。 The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth. Source 25th HKIFF (2001)